Preserving Latino History in East Harlem with Augmented Reality

Posted on: December 11th, 2014 by Geoff Montes No Comments

 

A demonstration of the "Mi Querido Barrio" app on a tablet.
A demonstration of the "Mi Querido Barrio" app on a tablet

A type of digital imaging technology known as augmented reality (AR) is playing a starring role in an upcoming initiative that documents the Caribbean and Latino history of East Harlem in New York City. The project is called Mi Querido Barrio (“My Beloved Neighborhood”), and is the brainchild of Dr. Marta Moreno-Vega, president and founder of the New York-based Caribbean Cultural Center African Diaspora Institute (CCCADI).... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Geoff Montes

Geoff Montes

Geoff Montes is the Editorial Assistant for Preservation magazine. He enjoys Art Deco architecture, any activity that can be done at the beach, and cotton candy.

[Historic Bars] The Tonga Room in San Francisco

Posted on: December 11th, 2014 by Katherine Flynn No Comments

 

Aloha, historic bar lovers! It's time to escape chilly winter temps and enjoy warmer climes inside historic tiki bars, those Polynesian-inspired spots known for their island flair and exotic cocktails. Next up: the Tonga Room in San Francisco.

A floating barge in the middle of the Tonga Room’s “lagoon” frequently features live performers.
A floating barge in the middle of the Tonga Room’s “lagoon” frequently features live performers.

San Franciscans adore the Tonga Room. Situated in the basement of the swanky and storied Fairmont Hotel, the renowned restaurant and tiki bar is, for some of the city’s residents, woven just as deeply into the urban fabric as cable cars and the Coit Tower.

So when Mai Tai fans in the Bay Area first got wind of the possibility of their favorite historic watering hole becoming a casualty of redevelopment at the Fairmont in 2009, they did what any bar preservationists in their right mind would do -- they went to happy hour.... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Katherine Flynn

Katherine Flynn

Katherine Flynn is an assistant editor at Preservation magazine. She enjoys coffee, record stores and uncovering the stories behind historic places. Follow her on Twitter at @kateallthetime.

 

Before the house is restored it will be moved 32 feet further away from the busy intersection.
Before the house is restored, it will be moved 32 feet further away from the busy intersection.

A few years ago we featured a travel story in Preservation magazine about the C & O Canal and the restored lockhouses that can be reserved for overnight stays while hiking or biking along the canal tow path. So when I was invited to the unlocking of a related lockkeeper’s house that hasn’t been open to the public in more than 40 years, I jumped at the chance -- despite torrential rains.... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Dennis Hockman

Dennis Hockman

Dennis Hockman is editor in chief of Preservation magazine. He’s lived all over the United States but currently resides in Baltimore where he is restoring a 1918 center hall Colonial.

Chicago’s Auditorium Theatre: 125 Years of Entertainment for All

Posted on: December 9th, 2014 by David Robert Weible

 

In total, the Auditorium Theatre held more than 4,000 seats. Adler designed the theatre’s acoustics to allow the seats farthest from the stage to hear each performance cleary.
In total, the Auditorium Theatre held more than 4,000 seats. Adler designed the theatre’s acoustics to allow the seats farthest from the stage to hear each performance clearly.

By 8:00 p.m. on May 4, 1886, Chicago’s Haymarket Square was bustling with as many as 3,000 people. They had gathered to support the city’s labor movement and hear its leaders speak.

The day before, policemen had killed union workers outside of the city’s McCormick Reaper Works as a crowd jeered the scabs who replaced them. Two days before that, tens of thousands had walked out on their jobs and paraded down Michigan Avenue, demonstrating for an eight-hour workday.

By 10:30 on the night of the 4th, the speeches in Haymarket were nearing their end. As the crowd thinned, nearly 200 policemen stormed the square. A dynamite bomb was thrown into their lines. The police responded with a confused volley through the spectators and their own ranks. Eight officers and an unknown number of bystanders were killed.

Before its completion in 1890, the Auditorium Theatre hosted the 1888 Republican National Convention. A massive tarp was drawn across the roofless building to accommodate the event.
Before its completion in 1890, the Auditorium Theatre hosted the 1888 Republican National Convention. A massive tarp was drawn across the roofless building to accommodate the event.

Just a small town in 1830, Chicago would grow into America’s second-largest city in 60 years. By 1850, half its residents had been born abroad. Those immigrants lucky enough to find jobs often worked long, dangerous hours in the city’s factories and mills. Many came home to squalid living conditions in the tenements of ethnic enclaves. Strikes and violence were commonplace.

Social and political division permeated the city. Even theater and entertainment were battlegrounds between the city’s capitalist, natural-born elite and its socialist working class. Workingmen’s orchestras, theater groups, and lectures were organized as politically motivated alternatives to their capitalist counterparts.

The brainchild of prominent Chicagoan Ferdinand Peck, the Auditorium Theatre was intended as an entertainment venue not only for the city’s elite, but for its working class masses.
The brainchild of prominent Chicagoan Ferdinand Peck, the Auditorium Theatre was intended as an entertainment venue not only for the city’s elite, but for its working class masses.

But from the smoldering social tension of the time, plans emerged for a building that would be the catalyst for Chicago’s ascension to one of world’s great cities. Just four weeks after the Haymarket Affair, Ferdinand Peck, one of the city’s richest and most prominent figures, announced his plans for Chicago’s Auditorium Theatre.... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

David Robert Weible

David Robert Weible

David Robert Weible is a content specialist for the National Trust, previously with Preservation magazine. He came to D.C. from Cleveland, Ohio, where he wrote for Sailing World and Outside magazines.

 

By Kristi Eaton

The home as it currently looks as it nears completion of the restoration work
The Tulsa home as it currently looks as restoration work nears completion.

Mark Sanders had been driving by and looking at the McGregor House in Tulsa, Oklahoma, for more than 20 years. Something about the lines, he says, always appealed to him. He’d also heard rumblings that Bruce Goff -- known for being the mastermind behind some of Tulsa’s most noteworthy buildings, including the Boston Avenue Methodist Church -- may have designed the home, but nobody ever had solid confirmation. So Sanders continued to drive by admiring the home’s design.

But all that changed in 2013, when a For Sale By Owner sign was placed in the front yard of the home.... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Guest Writer

Although we're always on the lookout for blog content, we encourage readers to submit story ideas or let us know if you've seen something that might be interesting and engaging for a national audience. Email us at editorial@savingplaces.org.