Thirteen colorful New Deal-era murals line the walls inside the Bronx General Post Office on the borough’s Grand Concourse. They stretch all the way to the 20-foot ceiling, towering over everyone who walks through the doors. Rendered in egg tempura on plaster by artist Ben Shahn and his wife Bernarda Bryson Shahn, the paintings embody the might of American labor and industry.
But until recently, the murals’ future, as well as that of the grand historic lobby that they occupy, was in doubt.
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