You either love or hate Baz Luhrmann’s recent and unabashedly lavish film adaptation. But one thing’s for sure: few works capture the American imagination more than F. Scott Fitzgerald’s The Great Gatsby.
It was the Roaring Twenties, an era when flapper dresses and fireworks set to brass jazz bands sent nights spiraling into debauched infamy. It was a world we now can only imagine, but once, long ago in the glimmering past, it did exist. And though Luhrmann's set designer Catherine Martin built Jay Gatsby's mansion on soundstages for the film, all that jazz was based on Long Island's real architectural flare.... Read More →