Pop Culture

Paranormal Preservation: Looking for Ghosts at Historic Sites

Posted on: October 31st, 2012 by Lauren Walser 1 Comment

 


Exterior of Oatlands, a National Trust Historic Site.

All old buildings come with their share of creaks, groans, and the occasional bone-chilling draft. But ghosts?

That’s what Belinda Clark-Ache, a representative of the National Paranormal Society, and her colleagues are dedicated to studying.... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Lauren Walser

Lauren Walser

Lauren Walser is the Los Angeles-based Field Editor at Preservation magazine. She enjoys writing and thinking about history, art, architecture, and public space.

A Special Brew for Chimney Rock

Posted on: October 22nd, 2012 by Emily Potter

 

Chimney Rock is a sacred Native American landscape. It is thousands of years old, and still a cherished landmark today. Very recently it became a National Monument.

And now it is a beer.

Chimney Rock National Monument Ancestral Ale, to be exact. Pagosa Brewing, located in Pagosa Springs, Colorado, released this limited edition brew in honor of the site’s National Monument designation, which was announced in September. The light beer is a unique blend of wheat and barley, as well as local squash, beans, sweet corn, and a whisper of cactus fruit.

Don't sound like the usual ingredients for beer? Maybe not, but squash, beans, corn, and cactus fruit were essential foods for the Chacoan people that once lived around Chimney Rock, and are still grown on local farms today.


Tony Simmons next to the sign at the entrance of Pagosa Brewing in Pagosa Springs, Colorado.

While many brewers put their heads together to create the perfect ale to honor the sacred landscape, the man behind it all is Tony Simmons, president and head brewer at Pagosa Brewing.

Simmons is an accomplished brewer -- he has worked in breweries in Colorado, New Mexico, and California, received scholarships to professional brewing schools in the U.S. and Germany, and won many awards for his hand-crafted microbrews.

He ended up in Pagosa after visiting Mesa Verde 16 years ago and discovering the great history of the Chacoan culture; then, in 2006, he started Pagosa Brewing. He’s visited Chimney Rock several times and recognized at once that this amazing cultural resource was not acknowledged nearly well enough.

“When I heard that Chimney Rock might become a National Monument, I thought that deserved a little recognition from a brewer’s perspective,” Simmons said.

Brewing the perfect Ancestral Ale took some time and was definitely a collaborative effort. He recalled, “We came up with the term Ancestral Ale after talking with an archaeologist at the U.S. Forest Service. We discussed our idea at length. And it took awhile to get the flavor profile right.”

But right they got it. After the official announcement was made in Washington, D.C., Pagosa Brewing sent the White House some of the newly created, special edition Chimney Rock National Monument Ancestral Ale. (Simmons also got a call from the Forest Service asking for samples.)

He said he was “pretty blown away by Secretary Salazar’s enthusiasm over the beer” and thought it was “great to see a little bit of Pagosa going out to a big city.”


Simmons (left) and Sen. Michael Bennet, D-Colo. (right) celebrating Chimney Rock National Monument Ancestral Ale at the Great American Beer Festival.

The Ancestral Ale was also featured at the Pagosa Brewing tasting booth at the annual Great American Beer Festival, which ran from Oct. 11-13 in Denver. At roughly 50,000 attendees, with more than 2,700 beers being sipped and judged, the festival was a great place to introduce the ale and talk about the significance of National Monument designation for Chimney Rock and the community.

Before heading out for the festival, Simmons told me, “I believe that crafting this beer is a great way of acknowledging the countless hours of the U.S. Forest Service and volunteers. Chimney Rock is really special to our community and significant across cultural lines. We are only as successful as our community, and this is a wonderful thing for our community.

Side note: I’ve been to Pagosa Brewing and it’s a great place to relax, especially in the “Beer Garden” outside, and drink in the history (literally, you could say!).


The Beer Garden at Pagosa Brewing.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Emily Potter

Emily Potter is a copywriter at the National Trust. She enjoys writing about places of all kinds, the stories that make them special, and the people who love them enough to save them.

Burlington, Iowa’s Old-School Movie Theater Gets a New Lease on Life

Posted on: September 25th, 2012 by David Robert Weible 1 Comment

 

Though I’m a child of the '90s, when megaplexes were popping up like Furbies and Pokemon in suburban neighborhoods, my friend Tim and I would spend rainy Saturday afternoons at the 1924 movie house my neighborhood struggled to keep open, watching and re-watching flicks like Men in Black and the Jurassic Park series.

Though they weren’t exactly Gone With the Wind, seeing these movies in a historic setting made an impression on me -- which is why I’m always thrilled to see the restoration of historic theaters across the country, including one of the latest, the Capitol Theater in downtown Burlington, Iowa.


The Art Deco building first opened with the showing of The Prince and the Pauper in 1937 and featured countless classics before closing in 1977 after a final screening of Carrie. Though it was placed on the National Register of Historic Places in 1996, the theater remained shuttered, slowly decaying from neglect, until a friends group was formed in 2003.

Since 2005, the upstart Capitol Theater Foundation worked to restore the marquee and the lobby’s colorful terrazzo floor, uncover and restore original tin ceilings and maple floors, repair the terra cotta exterior, reconstruct the ticket booth and concession counter, repair and replace damaged acoustic tiles, and expand the stage for live performances.

The building reopened after the $3 million restoration as the Capitol Theater and Performing Arts Center on June 1, almost 35 years after it was closed. And while they may not make movies like they used to, at places like the Capitol you can at least watch them like they used to.

For my money, there’s nothing better.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

David Robert Weible

David Robert Weible

David Robert Weible is an assistant editor at Preservation magazine. He came to DC from Cleveland, Ohio, where he wrote for Sailing World and Outside magazines.

Mumford on Main Street: How Music Helped a Community

Posted on: September 17th, 2012 by National Trust for Historic Preservation

 

Written by Brendan McCormick, Grants & Awards Assistant

As I was driving down Route 26 towards downtown Dixon, Illinois, I got a little worried when one of the first stores I saw off of the highway was a massive Wal-Mart.

However, upon closer inspection, I realized that the parking lot was sparsely populated. As I got closer to town, and drove through the iconic War Memorial Arch, I quickly realized that Dixon was everything that Mumford & Sons had built the town up to be as part of its Gentlemen of the Road Tour.


The Dixon Arch, originally built to welcome home WW1 veterans, now welcomes thousands of people into Dixon.

The band described Dixon (about 15,000 people) as the quintessential American small town, and it did not fail to live up to that reputation. Dixon is full of small-town history, including Ronald Reagan’s high school. But it is Main Street and the people who spend their lives there that make Dixon such an amazing place.

Of the locals that I spoke with, few, if any, of them had ever heard of Mumford & Sons. A cashier at one of the local shops said to me, “Oh, I went and listened to their CD last night for the first time. I didn’t love the music, but if they're bringing all of you folks into Dixon, I’m going to be a big fan.”

The amazing thing was how underplayed this woman’s reaction was to the sudden influx of people. The weekend of the concert, more than 16,000 people arrived in Dixon. Fields were turned into parking lots that stretched on and on, and the camp grounds were overflowing with people.


The Reynoldswood campground was filled with almost 4,000 people who came from all over the country.

When seeing the campground in its full light Saturday morning, I started to think about the 4,000 people in my campground. They couldn’t have possibly all brought all their food in with them. There must have been tens of thousands of dollars in stuff that people bought upon arriving in Dixon. Then I realized that there were three more campsites in Dixon all the same size. That much math and that much money started to hurt my head.

I think the math had the opposite effect on the people of Dixon. I spoke with a man named Martini who told me, “This concert is the biggest thing to come to Dixon since Ronald Reagan was born. Heck, this is the biggest thing to come to Dixon since John Dixon, the guy who founded the town.”

Martini went on to tell me that people were coming in early on Friday to “pay their respects” to the school that made Reagan. The mass influx of people seeing Dixon's treasures for the first time served as inspiration for many long-time residents to rediscover the history in their own backyard.


Three Iowa State University students salute their favorite president, Ronald Reagan, in front of his high school.

While the concert helped Dixon rediscover its history, it helped to temporarily reinvigorate the Main Street program even more so. On Friday and Saturday night, the downtown Main Street area was overflowing, blocked off to cars as the streets filled with people from all over the country. Wandering bands of musicians roamed the streets after the concert playing all sorts of music as thousands of people moved from store to store and from after-show to after-show.

Dixon is a truly amazing community to have accepted so many thousands of people with open arms. I am paraphrasing when I say this, but as Mumford and Sons came back on stage for their encore around 11 p.m., Marcus Mumford said, “Dixon, you guys are absolutely amazing. And the rest of you who showed up this weekend, you’re pretty great too. Go check out Dixon tonight, it is one of the coolest places we’ve ever toured.


Mumford & Sons take the stage in Dixon.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

National Trust for Historic Preservation

National Trust for Historic Preservation

The National Trust for Historic Preservation, a privately funded non-profit organization, works to save America's historic places.

LA Dispatch: New Exhibition Open at Neutra VDL Research House

Posted on: August 27th, 2012 by Lauren Walser

 

We’ve already established that I welcome any excuse to tour a cool, old house. So when I found out that there was a new art exhibition opening at the Neutra VDL Research House in Los Angeles’ Silverlake neighborhood, I cleared my calendar.

And I was glad I did. Because not only is Richard Neutra’s Modernist complex tricky to tour (tours are typically offered only on Saturdays, or on Tuesdays and Thursdays for larger groups by appointment only), seeing it reinterpreted through the eyes of an artist helped me view the site -- and my city -- in a whole new way.

The exhibition, Architectones, is the creation of French artist Xavier Veilhan. It is the first in a series of installations he is producing for various Modernist landmarks, including Pierre Koenig’s Case Study House #21 in Los Angeles, and, further afield, Le Corbusier’s Cité Radieuse in Marseille, France, and the Melnikov House in Moscow.

Each installment of Architectones will respond to its environment, and the work Veilhan created for Neutra’s complex managed to highlight some of its most stunning features, while also nodding to the Neutra family, Modernism, and Los Angeles’ place in design history. A mobile of golden orbs on the second floor catches the natural light streaming inside from the wall-to-wall windows; a series of black silhouettes of Neutra capture the architect throughout various stages of his life; and a mirrored silhouette of the Neutra family at the top of a staircase reminds you that while it feels like a museum today, the structure was, in fact, a family home for more than four decades.

There are a number of other silhouettes on the property, plus sculptures of a car, a boat, and a metal flag soaring above the rooftop. A soundtrack created by a member of the French band Air accompanies the exhibition as well.

To produce such an intimate interpretation of the house and its history, Veilhan lived in the VDL House with his family prior to the opening of the exhibition. He cooked dinners in the small kitchen, his children slept in the rooftop solarium, and, I would imagine, the entire family relished every second of living in a house where the indoors and outdoors merge so fluidly in classic Neutra fashion. I admit, I am jealous.

At the exhibition’s opening night, Veilhan shared how much he and his family enjoyed their time in Neutra’s house. It’s no wonder why. Neutra designed his home to be a living and working environment that, despite limited space (the complex was built on a 60-by-70-foot lot), could still offer a tranquil, inhabitable environment that combined high efficiency and good design -- without sacrificing affordability or a sense of privacy.

The result was a stunning prism of wood and glass with gardens, reflecting pools, and patios, plus gorgeous views any way you turn. Neutra named it the VDL Research House after Dutch industrialist Dr. Cornelius H. Van der Leeuw, who provided Neutra a portion of the capital to build his experimental home.

The main house was completed in 1932. (A fire destroyed the original house; Neutra and his son Dion, also an architect, redesigned the structure in 1965, and the Garden House at the back of the lot was built in 1939.) Legions of architects, writers, scholars, and other intellectuals flocked to the complex upon its completion, turning it into a vibrant cultural salon for decades.

Today, after years of neglect, the complex is regaining some of that vibrancy, as a major restoration is underway. Two roofs have been restored, but there’s plenty of work that still needs to be done -- and plenty of funds that need to be raised.

Veilhan will contribute a portion of his sculptures’ sales to the restoration efforts. And in the meantime, VDL House Director Sarah Lorenzen says that events like the Architectones exhibition help attract new audiences to the complex, drawing attention not only to its preservation needs, but also to its importance to the city.

The exhibition is open Thursdays through Sundays and will run through Sunday, Sept. 15. Admission is $10 on Saturdays, and a $10 donation is suggested for other days.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Lauren Walser

Lauren Walser

Lauren Walser is the Los Angeles-based Field Editor at Preservation magazine. She enjoys writing and thinking about history, art, architecture, and public space.