National Treasures

[SLIDESHOW] A Fall Walk Through the Village of Zoar

Posted on: November 22nd, 2012 by Jason Clement 2 Comments

 

When I was growing up in Texas, certain things had a habit of eluding me. Like autumn.

Here's how "fall" usually went down in my small corner of the Lone Star State. You would wake up one November morning, waddle outside in flip flops, and swear you were stuck in summer -- 85 with a side of hair-raising humidly. Then, with the forcefulness and commanding presence of a strong Texas woman, an overnight cold front would barrel through town, ushering in seasonal change like a bull in a china shop. The next morning, every still-green leaf would be on the ground and the Fahrenheit would be somewhere in the 40s, where it would fluctuate flirtatiously for a week or two before completely committing to something more winter-ish.

It wasn't until I moved north ten years ago that I realized fall is a process, not an event. It's the slow build to sweater weather. The soft simmer of stews on the stove. The gradual intensification of autumnal hues -- both in the sky and on the trees.

In a word, it's beautiful -- a calm, rewarding transition from color to cold.

Recently, a deck of photos of Ohio's Village of Zoar drifted (note: intentional fall pun) into my inbox at work. They came from Andy Donaldson, an avid shutterbug I met on Flickr who has a well-documented passion for this historic village -- a National Treasure that was listed just this summer as one of America's 11 Most Endangered Historic Places.

Andy is an amazingly talented guy, and his photos always make me take a pause. These, however, elicited a different type of response. Before my jaw had even finished dropping, I was forwarding them to friends and family with this message: "These pictures make me want to roll around in leaves, carve pumpkins, and drink Chai until I’m sick!"

Now, depending on where you hang your hat, I realize this may be what your backyard looks like right now. If that's the case, bear with me because I couldn't help but share these photos and the conversation I had with the photographer himself, if only for my fellow Texans who are still in flip flops.


Andy, how long has the Village of Zoar been your muse? What about it speaks to you?

We moved into our house about seven years ago, and that was when I was getting into photography. In the olden days, you know, the 80’s, I was very much into photography, especially black and white. Purchasing my first digital SLR camera, though, really opened up a whole new avenue of creativity for me.

Being that we live so close to Zoar -- literally within walking distance -- going there to capture its beauty has become a habit. The village speaks to me because it’s a reminder of how our country was founded -- people coming together in search of freedom and a chance to live their dreams.

Your portfolio captures Zoar in every season. Tell us: what’s special about fall in the village?

Fall has always been my favorite season. Zoar is a picturesque setting regardless of the time of the year, but with the changing colors in the trees and the lighting typical of this time of the year, it’s just downright magical. I normally only have the chance to get to Zoar in the evening after my day job, which makes it difficult sometimes. However, for these photos, I was able to get out in the middle of the day and first thing in the morning. They perfectly capture the color and light that I love.

Tell us about your typical day photographic the village. Is there a spot that no trip to Zoar is complete without visiting?

To be honest, there’s no typical day when I go shooting in the village. It’s usually a spur of the moment thing, either just to take the dog for a walk or because I glance out the window and see how the light looks with the setting sun.

As someone who goes down there often, it’s the Number One House that draws me in. It stands in the middle of town like a grand castle. But for someone who is visiting for the first time, I highly recommend going to Village Hall. There is a museum dedicated to the history of Zoar and visitors can see old maps, old pictures (my favorite part, of course), and other items from the town’s incredible history.

We often hear stories about people turning to photography -- even as amateurs -- as a way to celebrate places they love. In that regard and given your long history with the village, do you think Zoar has made you a better photographer?

Yes, without a doubt. One thing that digital photography gives you that we didn’t have back in the days of using rolls of film is the chance to try different things with your shots. And also with a digital camera like mine, I can see what my shots look like right then and there without having to go to the lab, have the film developed, and then hope for the best.

I’ve found that having Zoar in my backyard allows me to try things and test new techniques, and if I don’t like it, I can go back and try again. Its buildings, homes, and gardens inspire me. They aren’t going anywhere, right? Let’s hope not.

That’s a good segue for my next question. Looking at the beautiful colors of your fall photos, many people would probably be surprised to learn that the future of Zoar is uncertain. As you know, record flooding in recent years has raised concerns about the integrity of a nearby levee that protects the village. And one alternative under consideration is removing that levee entirely, which could require the relocation or demolition of 80% of this remarkable place. How does that make you feel about your hobby as the unofficial photographer of this 200-year-old village?

Well, thank you for the kind words, but I don’t know if I can be considered the unofficial photographer of the village. However, I am a concerned resident and neighbor of the village -- someone who has fallen in love with the subtle charm of the town and would hate to see the wrong decision made about its future.

At the end of the day, do you think great photography can help save a place?

Definitely. When things started looking bad for Zoar, that’s what sparked my desire to start shooting there more frequently.

I remember Easter morning of 2008 all too well. I was out in the driveway with my dog and noticed several large trucks hauling long trailers into the village. I later found out that the trucks were hauling in stones to fix part of the levee that was failing. It was looking pretty bad and residents were warned to take valuables to the highest level of their homes or to just get out all together. Luckily, the repairs held and the town was safe.

That was when I got more serious about trying to capture how I see the village, and therefore, why I would hate to see it be lost. Like Ansel Adams, whose early work sparked interest in the American west and inspired me to go to Yosemite when I was young, what I am trying to do when I walk around town or tour one of the buildings is capture something that will inspire someone else. And hopefully, because of that inspiration, people will take action to help save this amazing place.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.

This Veterans Day, Help Save Places That Serve Our Soldiers

Posted on: November 12th, 2012 by National Trust for Historic Preservation 1 Comment

 

Written by Erica Stewart, Public Affairs

In recognition of Veterans Day, we’re taking a look at two of our National Treasures that have a special connection to our armed forces.


Old Main Building at Milwaukee Soldiers Home.

The first is the Milwaukee VA Soldiers Home. Located on the grounds of the Clement J. Zablocki VA Medical Center, the Milwaukee Soldiers Home first started serving area veterans shortly after the Civil War. It’s one of three original National Homes for Disabled Volunteer Soldiers and was named a National Historic Landmark District in 2011 because it retains the oldest buildings in the system and is a largely intact “village” and designed landscape.

Unfortunately, some of these structures, such as the Ward Theatre and the 1869 Gothic Revival style Old Main building, are in serious disrepair and in need of help. In winter 2010, for example, Old Main’s roof collapsed, leaving it exposed to the elements for nearly two years. The Ward Theatre faces a similarly grave threat.

The VA has taken strides recently to stabilize Old Main, a significant step in the right direction. But, as Stephanie Meeks stated in a recent op-ed, much more work is needed -- and fast -- to ensure these vacant buildings can once again serve veterans.


Ward Theatre, Milwaukee Soldiers Home.

The National Trust is working closely with several local organizations and elected officials to push for preserving the Soldiers Home and re-using its vacant buildings. The coalition includes a Community Advisory Council made up of veterans, neighbors, preservationists and civic, community and business leaders.

To help engage the public in this effort, the coalition just launched the #MySoldiersHome campaign, which invites individuals to share stories, photos and other remembrances -- reminding us how the Soldiers Home has positively impacted so many people.

Also exciting is that starting in 2013, for the first time in many years, the public will be able to see the grandeur of this place for themselves through self-guided walking tours organized by the National Trust and the Milwaukee Preservation Alliance. More information on all of these opportunities to get involved can be found at www.SavetheSoldiersHome.com.


Battle Mountain Sanitarium.

A similar fight is taking place at the Battle Mountain Sanitarium in the Black Hills of South Dakota. Like the Milwaukee Soldiers Home, Battle Mountain Sanitarium is one of the original branches of the National Home for Disabled Volunteer Soldiers (a precursor to the Department of Veterans Affairs).

The campus was established by Congress in 1902 as the sole medical facility of the National Home network and opened to patients in 1907. Its locally-quarried sandstone buildings helped earn the campus National Historic Landmark status.

Today, the complex provides essential medical services for veterans in the area, yet the VA wants to shutter it and construct a new facility 60 miles away. Not only would this place the future of this remarkable campus at risk, it would also severely impact the town of Hot Springs, where the medical center is the single largest employer. The ramifications would be felt widely, as veterans from Nebraska and Wyoming also currently seek treatment in Hot Springs.


Corridor at Battle Mountain Sanitarium.

Working closely with the Save the VA Campaign, the National Trust is fighting to make the VA recognize its responsibility to safely steward this historic resource, including involving public input and considering the harmful effects of shuttering the complex, as required by federal law.

There are signs that we’re gaining ground. Most recently, our campaign received a shot in the arm from South Dakota’s congressional delegation. First, the tri-state congressional delegation (South Dakota, Nebraska and Wyoming) requested that VA Secretary Eric Shinseki visit Hot Springs and meet with stakeholders.

But after they received no response, the South Dakota congressional delegation decided it had had enough. South Dakota’s members publicly communicated to the Secretary their flat-out opposition to the VA’s current proposal to reconfigure services in the VA Black Hills Health Care System.

This is a bold move by the South Dakota congressional members and one that we were hoping they would exercise. The support of Congress on this matter is of the utmost importance to help ensure that veterans, locals, preservationists, and other stakeholders are heard.

This Veterans Day, while we reflect upon the service and sacrifice of the men and women of the armed forces, we should do what we can to support the places they rely on in times of need. It is the least we can do.

Stay tuned to SavingPlaces.org for campaign updates and consider making a donation to support this work.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

National Trust for Historic Preservation

National Trust for Historic Preservation

The National Trust for Historic Preservation, a privately funded non-profit organization, works to save America's historic places.

Prentice Hospital Denied Landmark Designation; The Fight Continues

Posted on: November 2nd, 2012 by National Trust for Historic Preservation 2 Comments

 

Written by Virgil McDill, Public Affairs

After repeated delays, the Commission on Chicago Landmarks finally placed Bertrand Goldberg’s Prentice Women's Hospital on its November 1st meeting agenda to officially consider whether the building qualified for preliminary landmark status.

As many of you know, this preservation battle has been brewing for a long time -- the Trust first named Prentice to its 11 Most Endangered Historic Places list in June of 2011 -- and in the ensuing months, thousands of you have spoken out, signed petitions and taken other actions to encourage Northwestern University to find a creative new use for this iconic building.  ... Read More →

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

National Trust for Historic Preservation

National Trust for Historic Preservation

The National Trust for Historic Preservation, a privately funded non-profit organization, works to save America's historic places.

A Special Brew for Chimney Rock

Posted on: October 22nd, 2012 by Emily Potter

 

Chimney Rock is a sacred Native American landscape. It is thousands of years old, and still a cherished landmark today. Very recently it became a National Monument.

And now it is a beer.

Chimney Rock National Monument Ancestral Ale, to be exact. Pagosa Brewing, located in Pagosa Springs, Colorado, released this limited edition brew in honor of the site’s National Monument designation, which was announced in September. The light beer is a unique blend of wheat and barley, as well as local squash, beans, sweet corn, and a whisper of cactus fruit.

Don't sound like the usual ingredients for beer? Maybe not, but squash, beans, corn, and cactus fruit were essential foods for the Chacoan people that once lived around Chimney Rock, and are still grown on local farms today.


Tony Simmons next to the sign at the entrance of Pagosa Brewing in Pagosa Springs, Colorado.

While many brewers put their heads together to create the perfect ale to honor the sacred landscape, the man behind it all is Tony Simmons, president and head brewer at Pagosa Brewing.

Simmons is an accomplished brewer -- he has worked in breweries in Colorado, New Mexico, and California, received scholarships to professional brewing schools in the U.S. and Germany, and won many awards for his hand-crafted microbrews.

He ended up in Pagosa after visiting Mesa Verde 16 years ago and discovering the great history of the Chacoan culture; then, in 2006, he started Pagosa Brewing. He’s visited Chimney Rock several times and recognized at once that this amazing cultural resource was not acknowledged nearly well enough.

“When I heard that Chimney Rock might become a National Monument, I thought that deserved a little recognition from a brewer’s perspective,” Simmons said.

Brewing the perfect Ancestral Ale took some time and was definitely a collaborative effort. He recalled, “We came up with the term Ancestral Ale after talking with an archaeologist at the U.S. Forest Service. We discussed our idea at length. And it took awhile to get the flavor profile right.”

But right they got it. After the official announcement was made in Washington, D.C., Pagosa Brewing sent the White House some of the newly created, special edition Chimney Rock National Monument Ancestral Ale. (Simmons also got a call from the Forest Service asking for samples.)

He said he was “pretty blown away by Secretary Salazar’s enthusiasm over the beer” and thought it was “great to see a little bit of Pagosa going out to a big city.”


Simmons (left) and Sen. Michael Bennet, D-Colo. (right) celebrating Chimney Rock National Monument Ancestral Ale at the Great American Beer Festival.

The Ancestral Ale was also featured at the Pagosa Brewing tasting booth at the annual Great American Beer Festival, which ran from Oct. 11-13 in Denver. At roughly 50,000 attendees, with more than 2,700 beers being sipped and judged, the festival was a great place to introduce the ale and talk about the significance of National Monument designation for Chimney Rock and the community.

Before heading out for the festival, Simmons told me, “I believe that crafting this beer is a great way of acknowledging the countless hours of the U.S. Forest Service and volunteers. Chimney Rock is really special to our community and significant across cultural lines. We are only as successful as our community, and this is a wonderful thing for our community.

Side note: I’ve been to Pagosa Brewing and it’s a great place to relax, especially in the “Beer Garden” outside, and drink in the history (literally, you could say!).


The Beer Garden at Pagosa Brewing.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Emily Potter

Emily Potter is a copywriter at the National Trust. She enjoys writing about places of all kinds, the stories that make them special, and the people who love them enough to save them.

[Interview] Mike Todd, Filmmaker: Documenting Joe Frazier’s Gym

Posted on: October 11th, 2012 by Julia Rocchi

 

UPDATE: The National Trust for Historic Preservation and its preservation partners hosted a film screening of the documentary, “Joe Frazier: When the Smoke Clears,” at Temple University in fall 2012 that received an overwhelming response from attendees. The film about Frazier’s life that spotlights the importance of saving his gym in Philadelphia resonated with students, faculty, local preservationists and community activists alike.

In an effort to reach a wider audience with the film and raise funds to support preservation of the gym, the National Trust entered into an agreement Kultur International Films LTD., Inc. recently, in which the National Trust receives a portion of the proceeds from sales of the documentary DVD.

The National Trust will receive 40 percent of the discounted sale price ($17.99), or $7.20, on any sale of the DVD. Visit Kultur to watch a clip of the film or purchase a DVD. Enter the unique code “JFNT” to support us in protecting an iconic historic site and receive a discount on purchase of the DVD.

After watching the film, share your stories and thoughts on our Saving Places website.

It’s an old-fashioned story: the local boxing gym that becomes a community hub and plays an important role in its neighborhood. Can such a place still exist in the 21st century? Documentary filmmaker Mike Todd believes it can -- and considers boxing legend Joe Frazier a prime example of how to make it work.

Todd’s latest film, Joe Frazier: When the Smoke Clears, delves into Frazier’s relationship with his Philadelphia community through the lens of his world-famous gym, which he ran for more than 40 years with his son Marvis. Todd says, “I was interested in what motivated Joe to keep it open. He had devoted his life to it and built up a lot of community goodwill. It was amazing to see him still sitting behind the desk.”

But as often happens with documentary filmmaking, the inspirational story Todd started to tell was soon overtaken by history. As the filmmakers worked to raise funding and interest for their project, the gym was facing its own financial difficulties. Then Frazier passed away in 2011, and the gym closed for good.

Todd remembers, “We could see this important, iconic place slipping away. We as filmmakers wanted to step in. We did outreach to see if someone could take over its administration to help out. Surely someone, somewhere, would step in. Marvis and Joe wanted to keep it going. But that didn’t work.”


Director Mike Todd (l.) jokes around with boxing legend Joe Frazier (r.) at the gym.

The good news is, hope is on the horizon for Joe Frazier’s Gym. Named a National Treasure this year, the National Trust is collaborating with Preservation Alliance for Greater Philadelphia and Temple University’s School of Architecture to designate the modest three-story building as both a local and national landmark. It’s also working to find a preservation-friendly buyer for the property.

On Tuesday, October 16, the National Trust is organizing a screening of the film in Philadelphia with a complementary panel discussion to follow (event details here). In advance of the event, we sat down with Todd to learn more about his filming experience and reflect on what the building -- and Joe Frazier himself -- meant to him.

What went through your mind when you first entered Joe Frazier’s gym?

On one hand, it felt like a really important, iconic place with historic photos everywhere. But on the other hand, it felt like a community center. Kids were running around. It was a safe place where people had respect for each other. Joe’s name was on the door, and people knew they could go there to have space and freedom from the pressures of North Philadelphia (even if they never became famous boxers). You see so many celebrities who associate themselves with charitable work only for public relations value, but Joe did it with no recognition and his own money.

Who did you encounter in the course of filming that had connections to the space?

Oh, there were so many stories. People went to train there. People were mentored there -- not just in boxing, but in other opportunities outside the gym (job training, for example). If you were prepared to work hard and were motivated, and wanted a way out of the circumstances you were given, the gym was there to help you.

One great example is Richard Slone. He’s an artist, originally from England. He wanted to be a boxer, and every week until he turned 16 he would call Marvis and Joe, because his dream was to train with them. Marvis always encouraged and supported him. So when he finally turned 16, Slone came to Philly to train. He had nothing when he arrived, and ended up living in the back of gym. He became like a son to Marvis and Joe, who looked after him for 10 years.

Meanwhile, Slone was sketching pictures there at the gym. Marvis said to him, “You may never be a boxer, but you can be an artist.” Now Slone is one of the most successful sports artists in America.


Joe Frazier and his son Marvis pose at the gym.

What would losing Joe Frazier’s Gym mean to the neighborhood? To the sports community? To the world?

When we were 2.5 years into filming, the gym closed. Renovations weren’t going to solve anything; it was just stalling time. Marvis was still trying to find a benefactor, but with no success. The gym was slipping through the cracks, much like Joe did. When he passed away, the world remembered who he was. It was so clear how iconic he’d been, but in later years was unrecognized. The work the gym did in the community wasn’t recognized either.

You have to look at Joe’s life in a 20th century U.S. context. Joe’s story says something about the United States and its history, but also speaks to an international audience as symbol of hard work, dedication, and perseverance. There’s meaning and investment in the gym -- it was a beacon of hope.

To lose the gym would be a lost opportunity for the city. He’s a truly remarkable figure. Anyone would be proud to say Joe Frazier lived and ran a gym in their city. You can still preserve the legacy of what it meant, and it’s a story that can still inspire people.

If the building can be preserved and help people remember who Joe Frazier was and what he did -- both as a sportsman and a person engaged in community issues where others had turned their backs -- even posthumous recognition would be amazing. We want Joe to get the recognition he deserves.

How can your film help the cause to save the building?

In May 2011, Joe came to the preview cut in New York City. It was great we got to see the film with him. I even did a Q&A session with him. At the end, the audience gave him a standing ovation. In retrospect, it was great he got to see the story our film tells and why he deserves our respect. (He liked it, too!)

Our film can help raise awareness of why what Joe did there is still relevant -- that his life and the history he represents are still relevant. In that respect, it would be a fantastic achievement to keep the gym open as a place that provides a space for the community, as well as a museum about Joe and the civil rights movement of that era. It is a place linked to the most dramatic years of his life; I think it would be a place people would visit.


Quenell Jones films Joe Frazier in action at the gym.

What’s your dream for the future of Joe Frazier’s Gym?

Seeing the gym included on the 11 Most Endangered list this year proved its importance. It captured the public’s imagination. Our film captured those final years, and we captured that history. I just feel there’s a lot more to run with this -- it’s not sunk in how meaningful this issue can be.

My dream is to see the gym as a place where Joe is remembered, to make it a tribute to Joe’s achievements and what he dedicated his life to. If it can still inspire people locally, nationally and even internationally, then it will truly celebrate Joe’s life and capture what the gym represented.

“Joe Frazier: When the Smoke Clears” is available from FilmBuff on iTunes, Amazon, YouTube Rentals, Cinemanow, Vudu, and XBOX. You can also contribute to the campaign to save Joe Frazier’s Gym at SavingPlaces.org.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Julia Rocchi

Julia Rocchi

Julia Rocchi is the associate director for digital content at the National Trust. By day she wrangles content; by night (and weekends), she shops local, travels to story-rich places, and walks around looking up at buildings.