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Preservation Round-Up: The Budget Mania Edition

Posted on: February 11th, 2011 by Jason Clement

 

The budget is coming! The budget is coming! The budget is coming!

Well folks, Monday's the day.

At around 10:00 a.m. EST, we're expecting President Barack Obama's much-anticipated (read: widely-dreaded) budget request to drop on the Internet. That little jargon-laden PDF courtesy of the Office of Management and Budget will be step one in -- as one republican lawmaker put it -- the "largest set of spending cuts in the history of our nation."

Yeesh, that's a lot for a Monday morning.

However, the idea that the president's FY 2012 budget proposal could be yet another heart-stopper for us preservationists (quick: flashback to last February) should come as no surprise; for weeks, drafts of the administration's drastic recommendations have been bouncing around Washington like a bull in china shop. Late January was fairly emblematic of how this was shaking down. Even as $14 million in Save America's Treasures grants were announced at President Lincoln's Cottage, the program's fate in the work-in-progress budget was changing daily/hourly: It's in. Now it's out. Back in. Nope, out again.

This article does a nice job of summing up the fact that, for two years now, preservation funding has become quite familiar with all the nooks and crannies of the budgetary chopping block. I especially like this zinger from Nancy Schamu, executive director of the National Conference of State Historic Preservation Officers:

The fact that the two programs [Save America's Treasures and Preserve America] are fighting for their survival is especially ironic, considering the $29.6 allotted to them is a pittance of the overall federal budget. Nancy Schamu, executive director of the National Conference of State Historic Preservation Officers, tells FedWatch she doesn’t know why preservation funding is being targeted, especially since it’s basically “decimal dust” in the grand scheme of things. “That’s something you’ll have to ask the bill drafters,” she says.

And sadly, the bad news isn't just at the federal level -- it's budget mania everywhere! Perhaps you've heard news from the Lone Star State, where Governor Rick Perry has proposed yanking funding for both the Texas Historical Commission and the Texas Commission on the Arts. Needless to say, only the word "draconian" is excited by the announcement, as it now has a new use-that-in-a-complete-sentence option for the dictionary. This great editorial makes a case against the cuts using the state's lauded courthouse restoration program as a poster child for preservation:

Consider the commission's highly successful Historic Courthouse Restoration Program. Initiated by Gov. George W. Bush in 1999, it provides grants to counties to restore their historic courthouses, gives new life to commercial districts and creates skilled, local jobs in the construction industry. Stan Graves, the program's director, says, "The Courthouse Restoration Program plants the seed for recovery in communities across Texas." Studies show that $1 million spent on rehabilitation of historic properties yields more local construction jobs, as well as more local income and retail sales, than new construction. In 12 years, the courthouse program has created 5,800 Texas jobs and nearly $40 million in state and local tax revenue. The proposed budgets eliminate this invaluable investment in our local economies.

The kicker? Just this week, Preservation Texas unveiled its latest endangered list, which includes this gem in Lubbock. As someone who bleeds orange and chokes up over bluebonnets, my fingers are crossed for you, Texas.

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The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.

Preservation Round-Up: The Keep Detroit Beautiful Edition

Posted on: February 7th, 2011 by Jason Clement 16 Comments

 

What was your reaction to Chrysler's "Imported From Detroit" Super Bowl spot?

Last night, at approximately 9:03 p.m. EST, Super Bowl XLV changed for me -- big time.

First, a disclaimer: Unlike my colleague who just tweeted "Only three months to wait for the 2011 NFL schedule announcement," I am not a pro football fanatic. However, I do appreciate the Super Bowl for three reasons: 1) no-holds-barred eating and/or chip dipping, 2) the pre-game and half-time pageantry, and 3) the Brand Bowl.

Another disclaimer: I majored in advertising. And though I decided very early on that I wanted to do something with a soul rather than sell diapers on prime time, I still have a soft spot for smart communication that works (for the brand) and rewards (for the consumer). Unfortunately, that very rarely happens on Super Bowl night. Yes, the commercials are high of hype and humor, but to me they represent advertising at its most basic -- and oftentimes egregious -- form. Think about it: People who are covered in Dorito crumbs and on their second or third beer don't necessarily want deep and thoughtful. They want monkeys, awkward work situations, and men dressed as women.

However, every once in a while, a really great spot shatters this mold, eliciting in living rooms everywhere a momentary pause in chip consumption and a long "Duuuuuuude." Apple's legendary (well, among advertising nerds anyway) 1984 spot is an example. It dropped like a bomb during the third quarter of Super Bowl XVIII, and continued to win awards up until 2007. I remember watching it in one of my classes and thinking, "Wow, this is why I want to do this."

Now, back to last night. During the third quarter (coincidence?), Chrysler managed -- in just two minutes -- to make me cry, think, feel proud, question my Toyota, and want to hug the entire city of Detroit while screaming the lyrics to I'm Proud to Be an American. That roller coaster of emotion aside, the spot also managed to reaffirm my values and beliefs as a preservationist. File under "Things I Never Expected From A Car Commercial."

Let me be upfront: I realize this is not a commercial about historic preservation. And whether or not Chrysler genuinely loves Detroit and its struggling stock of historic treasures is irrelevant because, at the end of the day, they have a very clear bottom line: Sell cars. I get it. However, in my eyes, the ad clearly linked preservation to progress -- to the rebirth of a city that "has been to Hell and back." The screen capture of Eminem in front of the restored and insanely gorgeous Fox Theater with "Keep Detroit Beautiful" glowing on the marquee says it all. Cue the choir (of course there was a choir!) and you've got water works.

Other than the "Imported From Detroit" tag line, which succeeded in igniting every competitive urge in my body, I also found the overall look and feel of the commercial to be deeply moving. For me, it showed that cities are alive -- and can die. And the juxtaposition of progress and the city's real but often sensationalized ruins was beyond poignant. Yes, moving inventory is critical to Detroit's recovery, but so is historic preservation.

Moments after it aired (and when I was able to rid my fingers of Dorito dust), we shared a link to the video on the National Trust's Facebook and Twitter accounts. For the round-up portion of this round-up, I'd like to spotlight some of the comments shared there and in other corners of the Internet.

First to Facebook and Twitter:

Jill S. Thomsen: The commercial was for a City. It presented a City as a living, breathing thing - which it is, but not 'everyone' sees that. For this reason it was my fav of the night - insight is good for all!

@BlackFinnRO: In a stunning turn of events Detroit wins Super Bowl XLV #Eminem #Chrysler #ImportedFromDetroit

Gary Gilmore: There's no preservation here. Detroit could care less about preserving anything. I know, I work in a historic building that would have been razed, and the city did little, if anything, to lend a hand in saving it.

@KrisColvin: Commercials that are funny amuse us, but those that *mean* something to you can change lives. That to me, is a good ad. #brandbowl #chrysler

Amanda Smith: No one is claiming Detroit's government is full of preservationists. Detroit needs people who are excited and passionate about making it a better place. If a commercial like this can get people talking, it's a start.

@graphicalchela: ok #chrysler, where are the IMPORTED FROM DETROIT t-shirts? i need a dozen....

Beth McMullen: That commercial for many was less about the car they were selling and more about shaping a community identity based on pride and the preservation of those buildings and places that represent Detroit's rich if sometimes difficult history. The places that make it truly unique.

In a story posted at 5:14 this morning, the Detroit Free Press posed a great question to folks outside of Michigan: Does this commercial change your perception of us? Some of the responses:

You know the "IMPORTED FROM DETROIT" can really become a great theme for Detroit if marketed the right way.

I live in Pittsburgh and watched as a room full of people stopped what they were doing to watch the ad. When it was over someone in the room simply said "wow"... I think that sums it up. Nice ad Detroit!

I thought the commercial was excellent! Showed the grittiness of Detroit and then nicely transitioned from smokestacks to Campus Martius and the Fox Theatre and the choir. With Eminem keeping the edginess throughout, it said -- the city is tough, the car is tough.

In another story posted even earlier this morning, the same paper asked a question exclusively for locals: Did you feel it?

Detroit still has a long way to go, however, great commercial and I "felt" it as well! Eminem definitely represents his city well when it comes to entertainment.

The question that popped in my head was what do they mean by Detroit? The city? The auto industry? Its people? Therein lay the brilliance of the ad - it didn't portray Detroit as a place, but as an attitude. And it's attitude that will determine what happens to this city. Do not underestimate this place.

It was an effective ad for Fiat/Chrysler but let's not get too excited folks. Motown has a long, long, long way to go. The video was dark and foreboding as was intended but that is the reality of Detroit.

However, the commercial didn't just make headlines in Detroit. This post from the Los Angeles Times offers a great note to end on:

In a way, it's also more than a message about Detroit. As BMW also showed in an ad featuring the plant making its X3 model, it's honoring a time when America was about making things -- real, hulking tangible pieces of machinery. It stood in contrast to the rest of the ads for things we click on, things made far, far away, things created by people sitting behind a desk (not that there's anything wrong with that). Chrysler seems to say that Detroit isn't dead, and maybe the spirit of Americans making things isn't dead either.

I couldn't agree more. Americans are capable of making -- and saving -- great things.

Let's do this.

Jason Lloyd Clement is an online content provider for PreservationNation.org. He doesn't want to be another person who has never been to Detroit.

The Preservation Round-Up is the National Trust for Historic Preservation’s twice-weekly digest of preservation news and notes from around the country. Got any tips? Shoot us a link on Twitter or Facebook.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.

Preservation Round-Up: The Lighthouses Need Some Love Edition

Posted on: February 4th, 2011 by Jason Clement

 

Ain't she grand? (Photo: Mark Dodge)

Do you heart lighthouses? 

Hailing from the shore of a bayou (Louisiana representin') rather than an ocean, I'll be honest and say that I don't have too much experience with them. However, that doesn't mean that I'm not utterly mesmerized by the slow-slow-slow-fast, slow-slow-slow-fast spin of their light in the night sky. Or spooked (yet fascinated) by the ghost stories that so many of them lay claim to. Or enamored by how their exquisite architecture manages to communicate both hope and loneliness. 

And I'm sure that I'm not the only one, which was why I was more than a little surprised to see this headline this morning: Lights Out for Lighthouses? 

First, the article points out something we all know as preservationists: These days, there always seems to be another notch in the belt when it comes to tightening money for saving historic places. However, another point about how technology (specifically the onslaught of cheap yet reliable GPS tools) has essentially relegated our country's estimated 10,000 to 12,000 lighthouses to mere sentimental value really made me take pause. 

Jeremy D'Entremont, president of the American Lighthouse Foundation, elaborates: 

These are worrying times for lighthouses. Everyone loves them, but as far as the government is concerned, they're not exactly a spending priority. This leaves little or nothing for upkeep of the buildings themselves. [Without local and/or financial support] many lighthouses are just left to rot. 

There is, however, some good news. Many lighthouses (read: the people who love them) have started thinking outside the box. In fact, the next time you visit your favorite one, you might find that it is now a bed and breakfast, or a gift shop, or a museum, or a...columbarium. 

And with that mental image, let's rocket through some other preservation news before we all get our weekend on. 

Our first stop is the Big Apple, where the New York Public Library has done a fabulous job of documenting a recent face-lift. Swoon! From there, let's breeze on over (har har har) to the Windy City, where six of the city's mayoral candidates have opened up about their stance on historic preservation -- and their favorite buildings. Meanwhile, the good folks in Baltimore are celebrating 200 years of iron work, Dallas is making better blocks (hooray for DIY urbanism), Oklahoma highlights its ruins, Portland might lose some mid-mod treasures, and one Ohio historic district is ordering lots of flowers. Oh, and someone found James Madison's chess set. Score! 

And on a slightly more philosophical level, our Spanish counterparts are calling for active preservation, while others wonder if we could change preservation with sheer kindness. And a quick heads up about terminology: We're calling them intelligent cities these days. 

Now for a quick video about a great project in Los Angeles. I don't know about you, but seeing kid-produced videos on neighborhoods and historic preservation would certainly improve my commute. 

 

And finally, a few parting shots from Villa Finale, a National Trust Historic Site deep in the heart of Texas that got ever-so-slightly winterized this morning. 

 

Jason Lloyd Clement is an online content provider for PreservationNation.org. He wants to be a kid again so he can make videos for buses. 

The Preservation Round-Up is the National Trust for Historic Preservation’s twice-weekly digest of preservation news and notes from around the country. Got any tips? Shoot us a link on Twitter or Facebook.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.

Save America's Treasures Grant Announcement: Your Front Row Seat

Posted on: February 2nd, 2011 by Jason Clement

 

Yesterday was an interesting day for historic preservation.

From a podium in the Emancipation Room at President Lincoln's Cottage, it was announced that 60 organizations from across the country would receive over $14 million in grant funding from Save America's Treasures -- a federal program that has saved places and artifacts as integral to the American story as the Star-Spangled Banner, yet which faces a future that can only be described as uncertain.

As you know, Save America's Treasures was pummeled in last year's budget proposal. And by pummeled, I mean slated for outright eliminated. While money was eventually found to fund the program through March of this year, the drafts of the FY 2012 budget that are now back-and-forthing their way through Washington show rather ominously that the fight to save our funding isn't over.

Now, I attended yesterday's announcement as the eyes and ears of PreservationNation.org, which basically means I was saddled with approximately 75 pounds of computers, cameras, and cords, all with an end goal of shoehorning the event into cyberspace. And while I should have been 100% focused on furiously transcribing each and every sound bite, certain questions kept popping in and out of my mind: Will I be doing this next year? Will the program whose logo is emblazoned on the front of that podium even exist? If not, will we be able to estimate what our country has lost in terms of understanding and appreciating its past?

Pretty deep for an event that kicked off with cookies and cider.

Regardless, I invite you all to experience the afternoon as seen (and heard) through my lens. And more importantly, I urge everyone to spend some time with the full list of Save America's Treasures newest grantees.

I guarantee you: If you're not already a believer, you will be.

(Note: This was originally planned as a live blog -- as in happening at the same time of the event. However, President Lincoln's Cottage's wireless connection simply wasn't feeling it. So, in an effort to recreate the experience, behold my time-marked summary.)

[ 1:15 p.m. ] I've arrived on the grounds of President Lincoln's Cottage, which unlike most of the meticulously shoveled and/or salted areas of Washington, remains beautifully blanketed in white. It was the doggiest of summer's dog days the last time I was here. I have to say that the mere sight of the fluffy stuff gives me a whole new perspective on this amazing site, which by the way was one of Save America's Treasure first success stories. Though Honest Abe primary used the cottage for stay-cationing purposes, here's what he would have seen had he made the journey from the White House in the dead of winter.

[ 1:36 p.m. ] Note: While stunning, the snow is in fact cold. I'm inside now with two people who know Save America's Treasures and its 1,100+ success stories backwards and forwards -- Bobbie Greene and Fiona Lawless of Save America's Treasures at the National Trust. We've got a few minutes before the event starts, so we've powered up the flip cam for a (semi) live shot. Give us a listen as Bobbie walks through the significance of hosting today's event at President Lincoln's Cottage, and Fiona recalls just a few of the projects through which Save America's Treasures has helped preserve places important to the African American experience (happy first day of Black History Month, by the way).

[ 1:55 p.m. ] An exclusive tour of the cottage with today's speakers just entered the Emancipation Room, where I am rather ungracefully crawling around on the floor trying to get everything plugged in and turned one. Classic! Anyway, the guide is giving the backstory to National Trust President Stephanie Meeks, National Park Service Director Jonathan Jarvis, and Rachel Goslins, executive director of the President's Committee on the Arts and Humanities. She ends by directing everyone's eyes to the pièce de résistance -- a replica (the White House has the original) of the desk where President Lincoln drafted the Emancipation Proclamation.

[ 2:03 p.m. ] Tap, tap tap. Is this thing on?

[ 2:04 p.m. ] And we're off. This, ladies and gentlemen, is what live blogging looks like. Onward!

[ 2:15 p.m. ] The first name on the program is the National Trust's own Stephanie Meeks. After a warm welcome (this is a National Trust site, you know), Stephanie is walking us through a Save America's Treasures success story that is particularly gratifying as we kick off Black History Month -- the restoration of Greensboro, South Carolina's Woolworth's Lunch Counter. This is, of course, the location of the first sit-in where four brave African American students refused to be treated differently -- an event that took place 60 years ago today. And the milestones don't stop there; one year ago today, the International Civil Rights Museum -- with a shining-like-new Woolworth's Lunch Counter -- opened its doors after a Save America's Treasures granted jump started the project, eventually leveraging $23 million in funds from public and private partners. Ample applause ensues.

[ 2:21 p.m. ] Oh look at that: Stephanie's full remarks are already online. Hooray for the Interwebs!

[ 2:26 p.m. ] Rachel Goslins, executive director of the President's Committee on the Arts and Humanities, is on deck now. She just shared an amazing quote that all of us should memorize immediately: "There have been great societies that did not use the wheel, but there have been no societies that did not tell stories." Way to say it, Ursula K. LeGuin.

[ 2:31 p.m. ] Rachel is now sharing with the audience (which is eating it up) some of her favorite projects selected to receive funding in this round of Save America's Treasures grants. One that rises to the top is the Jacqueline Bouvier Kennedy Collection, which will preserve what came of the iconic First Lady's preferred method of self-expression - scrap booking. Apparently, these pages contain Jackie's thoughts -- and even some doodles -- on important presidential events and her foreign travels. I don't know about you, but this alone puts the "treasures" in Save America's Treasures. Major history geek moment!

[ 2:33 p.m. ] History Geek Moment II: Rachel shares that another newly-funded project will restore Thomas Edison's second-ever voice recording, which is in such disrepair that nobody even knows what it says. Oh the anticipation!

[2:42 p.m. ] National Park Service Director Jonathan Jarvis takes the stage with a thought-provoking statement: By investing in our historic fabric, we bind our country together. Hear hear!

[ 2:45 p.m. ] Jonathan is now talking about the significance of the Civil War Sesquicentennial. To parphrase, we need to make the Civil War relevant to all Americas, even if they are new to this country. We all share the freedoms won from it -- freedoms that were articulated right here in this room in the Emancipation Proclamation. Hello, context.

[ 2:51 p.m. ] Another zinger before we go: President Obama recently challenged us in his State of the Union to win the future. To do that, we must learn from the past. Thank you, Mr. Jarvis.

[ 2:52 p .m. ] And that's a wrap. Everyone immediately rushes the stage. Luckily, I am equally agile. A parting shot.

Jason Lloyd Clement is an online content provider for PreservationNation.org. You can see all of his photos from the Save America's Treasures grant announcement here.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.

Preservation Round-Up: The Speaking Up For Our Treasures Edition

Posted on: January 31st, 2011 by Jason Clement 1 Comment

 

Join me tomorrow for a live blog of Save America's Treasures' 2011 grant announcement. I’ll be kicking things off at 1:30 p.m. EST from the beautiful President Lincoln's Cottage – a Save America's Treasures success story.

Good afternoon, Nation, and welcome to the Monday edition of the Preservation Round-Up, the National Trust for Historic Preservation’s twice-weekly digest of preservation news and notes from around the country.

To kick us off, a thoughtful reflection on the passage of time: Holy cow, where did January go? Yes, regardless of where you're at with your new year's resolutions (one word: oy), February has for all intents and purposes arrived. "Tis now the season for the Super Bowl (can you smell the seven layer dip?), pink heart-shaped things, and...budgets.

As you recall, last February started with a bit of a heart-stopper for us preservationists: Save America's Treasures (aka the country's only pot of federal funding for saving places that matter) quite surprisingly found its way onto the budgetary chopping block. Luckily, a lot of people realized this simply couldn’t happen and the program, which has saved places and artifacts that are truly irreplaceable (i.e. the Star-Spangled Banner), was eventually funded through March 2011.

While fantastic news at the time, the clock is ticking and a new budget proposal is already working its way through Washington -- a fact that is not lost on the recipients of this important grant money. In a recent letter-writing campaign to Secretary of Interior Ken Salazar, some of Save America's Treasures’ biggest champions spoke up for a program they think our country can't afford to lose.

For Reverend Arthur Price, Jr., pastor of Birmingham's historic Sixteenth Street Baptist Church, Save America's Treasures has made it possible to tell a story that our country should never forget.

It is because of the Save America's Treasures program that Sixteenth Street Baptist Church can continue to tell the story of the awful day of September 15, 1963, when a bomb exploded during Sunday School and killed four little girls. In Birmingham, we believe that tragedy helped galvanized the Civil Rights movement and help pass the Civil Rights and Voting Rights Acts. I feel that our story is one of many that deserves to be told, and funding for this program provides the resources to these projects.

And for preservation consultant Steph McDougal, the program offered hope at a time when the glass definitely seemed half empty.

Save America's Treasures is not just a "nice to have" program that saves a few old buildings. At a time when Galveston, Texas had just been devastated by one of the most destructive hurricanes to ever make landfall in the U.S., the Save America's Treasures-assisted First National Bank Building project was pumping hundreds of thousands of private dollars into the local economy, supporting scores of islanders as the wages of those directly employed by the project were translated into food, clothing, and construction supplies for rebuilding battered homes and businesses. In fact, this project has benefited small businesses and skilled tradespeople almost exclusively. These are jobs and businesses that cannot be exported overseas.

Ask Susan Wissler, executive director of The Mount, and she'll point to some pretty impressive numbers (something many Save America's Treasures projects have under their belts).

The Mount’s Save America's Treasures grant jump started a restoration effort that had been languishing for over a decade. By 2002, nearly $12 million in mostly private funding had been raised and expended on the project, an effort that created significant jobs for builders, masons, carpenters, and other craftsmen from across the country. Since the Mount’s opening in 2002, nearly 300,000 visitors have enjoyed the site, and the organization’s annual operating budget has directly contributed more than $18,000,000 to the local economy.

While Eddie Wong, executive director of the Angel Island Immigration Station Foundation, will pull at your heart strings.

The past serves as a valuable marker for our nation’s future, especially as we continue to wrestle with knotty issues such as immigration. The Angel Island Immigration Station and the Ellis Island Immigration Museum offer our nation instructive, sobering lessons as we continue to strive to meet our highest ideals. Save America’s Treasures plays a vital role.

And for Leslie Greene Bowman, president of the Thomas Jefferson Foundation, the issue is simple: What would the "Man of the People" do?

When visiting Roman ruins in southern France, Thomas Jefferson decried the removal of an ancient amphitheater so as to re-purpose the beautifully dressed Roman stone for road building. He was shocked that such an act could occur in the “modern” era. Jefferson understood the critical relevance of history and its monuments to present and future generations. He would not have been able to build Monticello without the tutelage of ancient architecture he received in France. Never has Save America's Treasures funding been more important than now, when cultural and historic sites are bowing under the stress of sustained headwind economies. Once lost, these treasures are not retrievable for our children and theirs. Any more than the amphitheater was in Jefferson’s time.

While Randall Vicente, governor of the Pueblo of Acoma, lays it down in a way that's hard to argue with (and that I want on a t-shirt).

Saving America's Treasures is at the forefront of preserving American identity and, indeed, of defining American identity. There is no ready replacement for its work.

With that, some news: Tomorrow afternoon, 60 agencies and organizations will join the ranks when the 2011 Save America's Treasures grant announcements (totally $14.3 million in funding) are made from the Emancipation Room of President Lincoln's Cottage, a National Trust Historic Site. Join me here for a live blog of the event starting at 1:30 p.m. EST.

I promise to bring you all the action.

Jason Lloyd Clement is an online content provider for PreservationNation.org. He will be spending the evening resting his thumbs in anticipation of tomorrow's live blog.

Updated February 1 to correct that SAT is funded through March 2011, not the entirety of 2011, as originally stated.

The National Trust for Historic Preservation works to save America's historic places. Join us today to help protect the places that matter to you.

Jason Clement

Jason Clement

Jason Lloyd Clement is the director of community outreach at the National Trust, which is really just a fancy way of saying he’s a professional place lover. For him, any day that involves a bike, a camera, and a gritty historic neighborhood is basically the best day ever.