We're big fans of Gloria Estefan, the international superstar and trustee of the National Trust. In June 2013, we profiled her in the Spring issue of Preservation magazine, and she agreed to be the official “Voice of Miami Marine Stadium." Then, in January 2014, she and Jimmy Buffet were part of a one-of-a-kind celebration at the Coral Gables Museum.
This past Saturday, we found yet another reason to admire her: She announced a $500,000 gift through her foundation to our local partner, Friends of Miami Marine Stadium (FMMS).
Gloria’s announcement was part of the National Trust's “Day of Art and Action” at Miami Marine Stadium. In addition to announcing Gloria’s gift, the ART History Mural Project brought nine internationally recognized artists to the stadium to create large-scale murals. Curated by artist Logan Hicks, the murals will be photographed and sold as prints to benefit FMMS.
In addition, we held an Instagram contest where winners attended the day’s festivities, met Gloria and Hilario Candela (the stadium’s architect), and watched the street artists create their pieces. To help you get a feel for the day-long event and learn more about the artists, we pulled some photos from Instagram -- you can see more by searching the hashtag #marinestadium or checking out the @SavingPlaces account. Enjoy!
Saturday’s event also debuted a Public Service Announcement narrated by Gloria. It’s a tie for our favorite part: the vintage photo of her on the Stadium’s legendary floating stage versus her voice when she says “Miami Marine Stadium needs you.”
Left: Awesome Day at the #marinestadium Kudos to #gloriaestefan for contributing her time and money to help restore this wonderful Miami landmark. So wonderful to meet this Miami icon with my daughter @frenchpeach -- @laureebell_ud, Laureen
Right: Kicking it with #gloriaestefan at the #marinestadium this weekend along with several awesome artists. -- @luisberros, Luis Berros
Gloria stayed at the Stadium for hours after her announcement, doing interviews with media (The Miami Herald, Miami New Times, NBC6, Univision, etc.), and posing for photos with Instagram contest winners and artists.
Luis Berros is a lifelong “semi-native” of South Florida, moving with his family to Miami as a child. Finding an outlet for his creativity and a welcoming community in the street art clubs of South Florida in the early 1980s, Luis knows firsthand the power of art without limits. Today, he is engrossed in the underlying narrative of his work, which is to accelerate fine art and street art along the same plane and to document the collision.
~”Dope mural by homie @Evoca1!” ~~ Had the pleasure of watching so many amazing murals develop right before our eyes for the “Friends of Miami Marine Stadium Mural Project”!! @SavingPlaces & @ArtHistory2014, we wish you much success! Looking forward to seeing the marina & the art that graces its walls restored in harmony! Had a blast! -- @yuhmicollective, Yuhmi
Born in the Dominican Republic in 1984, Evoca1 spent most of his childhood drawing on walls and playing baseball until eventually moving to Florida when he was 11 years old. He has been making art his whole life without any formal training, teaching himself how to paint with oil, acrylic, latex, and spray paint. He currently lives and works in Miami.
A labor of love (in progress) on the walls of the Marine Stadium by Elbow Toe (@elbowtoe) taken yesterday during Art History’s Miami Marine Stadium Mural Event. http://bit.ly/1vknA7k #miamimarinestadium #marinestadium #savingplaces -- @layla_l_l, Layla
Under the name Elbow Toe, Brooklyn-based artist Brian Adam Douglas has been pasting his distinctive woodcuts, stencil work, large-scale charcoal drawings, and collages onto the walls of cities around the world for the past decade. His diverse practice is anchored by an interest in the human gesture as a powerful form of communication that is often charged with unspoken narratives.
Had an incredible time creating alongside some amazing artists for a great cause. Shout to @arthistory2014 and @loganhicskny for letting me get down and huge thanks to @elbowtoe and @joeiurato for helping me out with the speed cutting on the other half of my wall. Definitely not dissatisfied with wth was created in two days time. Till next time Miami family… -- @iankualii, Ian Kuali’i
Born in Fullerton, Calif., Ian Kuali’i lives and works in New York City. He describes his creative process as “the meditative process of destroying to create.” His art is influenced by his ancestral ties to the Southwest United States and to Hawaii, as well as esoteric symbolism, mysticism, global politics, and the theme of urban decay.
In the 1970s, Doze Green was a hip-hop pioneer and a subway-tagging graffiti artist who often participated in break dance performances in SoHo and Lower East Side art galleries. Moving from walls to canvases, Green’s paintings incorporate his signature style of figurative abstraction and the use of letterforms.
Dope -- @sandroabate
Inspired by various stages of his life, from skateboarding to break dancing and rock climbing to the experiences of fatherhood, New Jersey-based artist Joe Iurato creates tiny wooden figures and sets them loose in public places. The daring little people dangle from bridges, swing from street signs, and often create their own “art” in the form of painted slogans left of sidewalks and curbs.
In a career spanning 30 years, RISK has impacted the evolution of graffiti as an art form in Los Angeles and across the world. RISK gained notoriety for his unique style and pushed the limits of graffiti further than any writer in L.A. had before. He was one of the first writers in Southern California to paint freight trains, and he pioneered writing on “heavens,” or freeway overpasses.
A huge thanks to @arthistory2014 and @loganhicskny for getting me involved in this fundraising project at Miami Marine Stadium. They will be selling prints of this work and other great artists at www.arthistory2014.com #rone #marinestadium #miamistreetart -- @r_o_n_e, Rone
Rone’s work attempts to locate the friction point between beauty and decay, the lavish and despoiled, creating an iconic form of urban art with a strong emotional bend. A key individual in the Melbourne, Australia street art scene, Rone’s images use “calming beauty” and innate contrast to the walls that they grace to fuse dirt with decorativeness.
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