Although the Miami Marine Stadium sits empty today, it still echoes with the shouts and cheers of audiences that gathered to watch everything from speedboat races to Easter Sunday sunrise services at the waterfront venue. The stadium served as an entertainment hub of the Miami community, and sometimes, a launching pad for careers in the entertainment industry.
In part four of our “If Seats Could Talk” series, compiled by the Friends of Miami Marine Stadium in an effort to increase support for restoration of the venue, we focus on the story of Frank Mercado-Valdez, who, along with some of his fraternity brothers, took on the task of putting on the first Miss Collegiate Black America Contest in 1985.
I produced an event at the Miami Marine Stadium at age 22, as a student at the University of Miami. It was 1985, and the riots in Overtown had just happened. A few of my fraternity brothers at Kappa Alpha Psi and I thought the city should do something positive, so we submitted a grant application to Miami Dade County to produce a Miss Collegiate Black America Contest. To our surprise, Commissioner Barbara Shuler and Commissioner Miller Dawkins actually took us seriously. We were awarded a grant of $75,000, and we had to put on a show!
The Miami Marine Stadium was actually my last choice for the event, but The Gusman, the James L. Knight Center, and the Coconut Grove Convention Center were not available. It was a very complicated production. I had 80 people working for me. I was very fortunate to have people assisting me -- and preventing me from making a fool of myself!
It drizzled the night of the event, and that kept attendance down. It seems that all of the contestants danced, and the dancers kept slipping because although there was a canopy over the stage, we could not keep the front of the stage dry. We did our best to have a proper lighting and sound system, but one of the dancers was a tap dancer -- and we had not anticipated needing a microphone for her feet! The event was supposed to last 2.5 hours, [but] it lasted 4.5 hours.
But still, that night was like magic. We had the University of Miami Jazz Band and Jon Secada (then Juan Secada, a student at the University of Miami) sang the crown song for the queen. People came from all over the South to see their daughters compete. When the night was over, we knew we had done it! We celebrated at Dupont Plaza ... and then I went back to my dorm room at Pearson Hall on the University of Miami campus.
That night was a very important night for many of us. My fraternity brothers went on to have long careers that started there. I went on to produce ten more Miss Collegiate Black America Pageants -- several of which were shown on national television. (Five years into the Pageant, we changed the name to “Miss Collegiate African American,” and this was the first TV show with the words “African American” in the title). Most of the people involved in the pageant most fondly remember that first one at the Marine Stadium.
Producing that event at that moment was really a key point in the evolution of Miami. Miami Vice had not yet started, and Miami was just beginning its rebirth as a truly international city. Oprah and The Cosby Show had not really hit popular culture. For me, it was just at the cusp as Miami was growing up.
I later went on to produce many shows in Hollywood, including some Emmy Award-winning projects, but I never had a night in my Hollywood career that compared to the night that we “pulled it off” at the Marine Stadium.
Edited for length and clarity